You'll be no doubt pleased to know that we've reached the final installment of my writer's diary. Just finding it now? Catch up via the following links:
Day 1, here
Day 2, here
Day 3, here
Day 4, here
On to Day 5!
TL;DR? Writing comics, short film casting, another swim and time for a beer.
I get up at 7.30am, have some yoghurt & muesli, along with the strongest cup of tea in the history of the world, and I'm at my desk by 8am. I tweak the comic I'm doing for VS Comics, taking on board editor Mike Garley's suggestions, and Issue One is signed off, wahey! Issue One! Gosh. It's a two-part story, twelve pages in total, so Issue One (six pages) makes it sound like it's an epic saga. Not that I'm complaining. And, well, it is kinda epic. You'll see. It's been terrific working with Mike as I was completely new to the format so had a bit to learn about how to go about things. Swedish artist Kristina Gavhed has made my scripts come to life brilliantly (she's doodling on Issue Two as I speak) and I'll do a shout-out when everything's available (check out VS Comics' other issues here).
The comic tweaks don't take too long so I move on to the scene-by-scene outline. Yesterday, I got to the end of act two so I spend a couple of hours outlining the final act, and it feels GOOD. I now have a pre-first draft that I can spit and polish over the next few days, prior to next Wednesday's deadline.
At 11am, I start the casting process for my new short film. It's a kids/family-friendly short called Nemesister about a young boy who's constantly teased by his older sister who just happens to have super-human strength but when he discovers he has the power of telekinesis, he decides to get revenge on his nemesister... It's a fun story with some lively VFX, hence the VFX meeting yesterday. For the the first casting session, I audition a child actress for the titular role, and we have a nice chat. A bigger casting session is scheduled for Tuesday but it's good to get the ball rolling.
Afterwards, I head to the post office to send my signed contracts to my agent (for the scripts I'm working on). When I return, it's nearly lunch time already. I'm starving so LUNCH IS QUICKLY DEVOURED. I stuff my face in other words.
I move on to do script notes for the script I read yesterday, and then take time-out to cycle to the beach and have a quick dip in the sea (like Tuesday). By the time I get home, I'm feeling quite tired. I stick a chilled bottle of beer in the freezer for half an hour to give it an extra zing, and I kick back for the evening, having called it a day.